Eight commissions, from 0.3 metres to infinity.

A cider label built from one pear and one window. Twelve frames, all lit by the north light of a February afternoon.

A winter catalogue for a florist that dries everything it does not sell. Grey paper, one strip light, a lot of patience.

Hand-blown bottles for a glassworks that fires its kiln twice a week. Rim light only, so the glass draws its own outline.

A portrait series for Svale's summer issue, shot into the low sun on Askøy between 21:40 and 22:10.

Nine rooms in a renovated 1930s guesthouse, photographed only in the light each room gets on its own.

A new public stair hall in Ålesund, documented across one day from first light to the evening lamps.

Four mornings with the last two net fishermen working the inner Hardangerfjord, for Kyst Journal's winter issue.

A poster series for a scenic rail line: one view from each stop, shot on the same 50 mm so the series reads as one journey.